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Mathangi "Maya" Arulpragasam (born 18 July 1975), better known by her stage name M. A., is a British rapper, singer-songwriter, record producer, director, visual artist, activist, photographer, fashion designer and model. Arular charted in Norway, Belgium, Sweden, Japan and the US, where it reached number 16 on the Billboard Independent Albums chart and number three on the Dance/Electronic Albums chart. It doesn’t always happen, but it should and it could." Richard Russell, head of XL Recordings, states, "You've got to bend culture around to suit you, and I think M. She has said of the sometimes "unaffected" vocals and delivery of her lyrics, "It is what it is. Her politically inspired art became recognised while she exhibited and published several of her brightly coloured stencils and paintings portraying the tiger, a symbol of Tamil nationalism, ethnic conflict in Sri Lanka and urban Britain in the early 2000s. filmed from her Bed Stuy apartment window and posted on You Tube an incident involving a black man being apprehended by white policemen, which in light of the Sean Bell shooting incident, elicited commentary debating the force used for the arrest. The fact that I saw it in my life has maybe given me lots of issues, but there's a whole generation of American kids seeing violence on their computer screens and then getting shipped off to Afghanistan. has also been outspoken about the police killings of citizens in the United States.
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It has become XL Recordings' second best-selling single to date. This became her highest-charting album in the UK and the US, reaching number nine on the Billboard 200, topping the Dance/Electronic Albums chart and debuting in the Top 10 in Finland, Norway, Greece and Canada. Critics have acclaimed a distinctive style to her music. on its list of the 75 most influential people of the 21st century in January 2010. On 3 March 2013, she released an 8-minute mix recording as part of a Kenzo fashion show in Paris. released a five-minute video titled "Matahdatah Scroll 01 Broader Than a Border" which features two of her tracks: Matangi's "Warrior" and a new track "Swords". released "Borders" as her new single on i Tunes, prior to that her new single was announced via her Instagram account. A.'s music features styles such as electro, reggae, rhythm and blues, alternative rock, hip hop, grime, rap ballads and Asian folk and references to her musical influences such as Missy Elliott, Tamil film music, Lou Reed, the Pixies, Timbaland, the Beastie Boys and London Posse. describes her music as dance music or club music for the "other", and has been described as an "anti-popstar" for refusing to conform to certain recording industry expectations of solo artists. Interpreted as a comment on the Arizona immigration law, America's military might and desensitised attitudes towards violence, others found that the video stressed that genocide still exists and violent repression remains commonplace. views her work as reflective, pieced together in one piece "so you can acquire it and hear it." She states, "All that information floats around where we are – the images, the opinions, the discussions, the feelings – they all exist, and I felt someone had to do something about it because I can't live in this world where we pretend nothing really matters." On the political nature of her songs she has said, "Nobody wants to be dancing to political songs. I think removing individual voices and not letting people just go 'This happened to me' is really dangerous. nobody handed them the microphone to say 'This is happening and I don't like it'." Due to her and her family being displaced from Sri Lanka because of the Civil War, M. There aren't more people standing up and telling their personal experience...
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Her compositions combine elements of alternative, dance, electronic, hip hop and world music. She released her debut album Arular in 2005 and her second album Kala in 2007, both to wide critical acclaim. She has adopted different singing styles on her songs, from aggressive raps, to semi-spoken and melodic vocals. has become known for integrating her imagery of political violence into her music videos and her cover art. voiced her fears of the influence of video game violence on her son and his generation, saying, "I don't know which is worse.
A." is a play on her own name and a reference to the acronym of Missing in Action. Since rising to prominence in early 2004 for her singles "Sunshowers" and "Galang", charting in Canada and the UK and reaching number 11 on the Billboard Hot Dance Singles Sales in the US, she has been nominated for an Academy Award, three Grammy Awards and the Mercury Prize. A.'s composition and production skills were a major attraction for him.
It also charted in several countries across Europe, in Japan and Australia. to Reed and punk rock songwriter Patti Smith, and recalled, "She's gonna do what she's gonna do, I can't tell her shit." "The really left-of-center artists, you really wonder about them. But at the same time, I don’t want [that perfection]," saying some of the "raw and difficult" vocal styles she used reflected what was happening to her during recording. achieves with her Roland MC-505 drum machine and keyboard unit, noting that many people had tried to copy the style since. A quirky female singer/rapper before the Mini Allens had worked out how to log on to My Space. The album references the Palestine Liberation Organization and the Tamil independence movements and features culture jamming, multi-lingual slang, strident and subtle imagery. a travel visa coupled with her brief presence on the US Homeland Security Risk List in 2006 due to her politically charged lyrics led to her second album Kala being recorded in a variety of locations around the world. Many related her experiences during recording sessions in Madras, Angola, Trinidad shantytowns, Liberia and London, and were well acclaimed. "played with them" creating an uncategorisable and hence unsettling result. Telling TIME that she didn't see anything wrong in sticking up for 300,000 trapped and dying people, M. Sri Lanka's Foreign Secretary denied that his country perpetrated genocide, responding that he felt M. She took that photo of me, but she was just like, ‘I can’t talk to you because you’re crazy and you’re a terrorist. I’m a Tamil and there are people dying in my country and you have to like look at it because you’re fucking Oprah and every American told me you’re going to save the world." Two weeks before his death, the Tigers' Political Head B. was emotional and that this could be limiting her, stating that while she was well informed, "you're not meant to get involved when giving information out about war", and that the difficulty for M. Not having a proper understanding of violence, especially what it's like on the receiving end of it, just makes you interpret it wrong and makes inflicting violence easier." On 20 November 2013 M. Trying to be gentle, Maya ultimately responded with, "Well you know, in my mind, there's no countries, you know it's like; we're all one, we all live on this planet." On 8 July 2016 Maya tweeted a You Tube video of an episode of Edward Snowden on the HBO show "VICE" entitled "State of Surveillance" which discusses abilities of governments to hack into cellular phones. "I'm not coming at it as a politician, it's my own personal experience.
The album's first single "Boyz" reached the Top 10 in Canada and on the Billboard Hot Dance Singles Sales in 2007, becoming her first Top 10 charting single. Her fourth studio album, Matangi, was released in 2013, followed by AIM in 2016. A.'s American distribution label Interscope, compares M. Sasha Frere-Jones, critic of The New Yorker praised the self made "unpretentious, stuck together with Scotch tape" style that M. Her considerable influence on American hip hop music as an international artist is described by Adam Bradley and Andrew Du Bois in The Anthology of Rap as making her an "unlikely hip hop" celebrity, given that the genre was one of several influences behind M. A.'s "eccentric and energizing" music and that the musician's unclassifiable sound was one example of how hip hop was changing as it came into contact with other cultures. Wallenfeldt writes in The Black experience in America : from civil rights to the present that no single artist may have personified hip hop in the 21st century better than M. A., in her "politically radical lyrics drawing from widely diverse sources around the world". Missing In Action (or Acton, as she sometimes calls herself) has always been several miles ahead of the pack." The twisting of western modalities in her music style using multilingual, multiethnic soundscapes to make electroclash-pop albums is noted by Derek Beres in Global beat fusion: the history of the future of music (2005) to defy world music categorisation. is perhaps the preeminent global musical artist of the 2000s, a truly kick-ass singer and New York-Londony fashion icon, not to mention a vocal supporter of Sri Lanka's embattled Tamil minority, of which she's a member." M. A.'s stage performances are described as "highly energetic" and multimedia showcases, often with scenes of what Rolling Stone critic Rob Sheffield describes as "jovial chaos, with dancers and toasters and random characters roaming the stage," bringing various crowds with interests in art, music and fashion. "works hard to manifest the chaos of her music in an actual environment, and, more than that, to actively create discomfort, energy, and anger through sensory overload." USA Today included her on its list of the 100 Most Interesting People of 2007 and she was named one of Time Out 's 40th Birthday London Heroes in 2008. Her albums' social commentary and storytelling have incited debate on the "invigoratingly complex" politics of the issues she highlighted in the album, breaking taboos while the West was engaged in the 2003 Iraq War in the Middle East during the Presidency of George W. Government visits to her official website following her debut album's release in 2005, and a US refusal to grant M. The album's artwork was inspired by African art, "from dictator fashion to old stickers on the back of cars," which like her clothing range, she hoped would capture "a 3-D sense, the shapes, the prints, the sound, film, technology, politics, economics" of a certain time. forces a conversation about how the majority live, closing the distance "between 'here' and everywhere else". subverted the "abstract, organized, refined" distilling of violence in Western popular music and imagination and made her work represent much of the developing world's decades-long experiences of "arbitrary, unannounced, and spectacular" slaughter, deeming her work an "assault" with realism. was "a veritable vortex of discourse, around most likely irresolvable questions concerning authenticity, postcolonialism, and dilettantism". A.'s record imagery, lyrical booklets, homepages and videos supported the "image of provocation yet also avoidance of, or inability to use consistent images and messages." Instead of catering to stereotypes, he felt that M. "Sometimes I repeat my story again and again because it's interesting to see how many times it gets edited, and how much the right to tell your story doesn't exist. presented on the theme of "Shake, Rattle: Music, Conflict, and Change." She has used networking sites such as Twitter and My Space to discuss and highlight the human rights abuses and war crimes that Sri Lanka is accused of perpetrating against Tamils, citing news articles, human rights group reports, government reports, her own experiences as a child and on her return to the island in 2001 to support calls for a ceasefire. Nadesan told Indian magazine, The Week, that he felt that M. A.'s humanitarianism had been a source of strength to Eelam Tamils and fearless, knowingly amidst the "all-powerful Sri Lankan propaganda machinery that demonises any one who speaks for the Tamils." Miranda Sawyer of The Observer highlighted that M. And I just think that that's just what people want to put out there, you know, 'You don't have the right to talk about this'.
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